Closed today

By continuing your navigation on this website, you accept the use of cookies for statistical purposes.

The Crossing
The CrossingThe CrossingThe CrossingThe CrossingThe CrossingThe Crossing

Catno

DUN-1003 DAP-029

Formats

1x Vinyl LP Album

Country

US

Release date

Oct 29, 2012

menahan street band the crossing dapton dunham funk soul lp vinyl record turtle records brussels

Sophomore Menahan Street Band album.

In addition to their role as the official house band for Brooklyn-based Dunham Records, Menahan Street Band has received critical praise for their oft-sampled 2008 debut album Make The Road By Walking (sampled by Jay-Z, 50 Cent, Kid Cudi, Curren$y and more) and for backing breakout soul singer Charles Bradley on his 2011 debut album No Time For Dreaming (co-written and produced by MSB co-founder and multi-instrumentalist Thomas Brenneck).

"Vibe is a quintessential element in what I'm going for," says Brenneck of creating the album. "Vibe, mood and emotion." Those three elements are all over The Crossing, from the opening drum roll of the ominous title track, through the final burst of wah-wah guitar on the closing "Ivory and Blue." The Crossing takes you on a cinematic instrumental journey through a nocturnal landscape of moods and emotions, propelled by funky, hip-hop-influenced grooves and dream-like horn and keyboard melodies.

Despite Menahan Street Band's deep connections to the Brooklyn soul scene, The Crossing isn't soul music per se… it's more like "dark night of the soul" music. "I recorded a lot of it from midnight until the sun came up, all the weird synthesizers and slide guitar," Brenneck notes. "A lot of it was really moody, just me going slightly out of my head in the middle of the night. And that was the mood I wanted to evoke when people listen to it, to put them in deep thought - your mind should wander into some weird places when you're listening to this."

Recorded over a period of nearly two years, The Crossing is an 11-track sonic testament to the fruitful creative relationship that exists between band: Brenneck, drummer and band co-founder Homer Steinweiss, bassist Nick Movshon, trumpeter Dave Guy and tenor saxophonist Leon Michels. The five members have been playing together in one project or another since the early 2000s, when they were all members of The Dap-Kings. Antibalas keyboardist Victor Axelrod, a former Dap-King himself, played organ on two of the album's tracks, while The Budos Band's Mike Deller contributed piano.

"Originally MSB was just about us wanting to make some music for ourselves that was outside of the tight-knit formula of the music we were playing in the Dap-Kings and Antibalas, and wanting to embrace the fact that we grew up on hip-hop and classic rock," adds Brenneck. "There's a discipline that goes into playing Fela's music, and that goes into playing James Brown music; we love that to death, and we studied it hard in order to be able to play it with any sort of authenticity. But I love Neil Young, The Beatles and Jimi Hendrix, and we all love Wu-Tang and the early RZA productions as much as we all love Stax and Motown. With MSB, we can really let all these influences show."

The Crossing's more mature and expansive sound is also the result of the place where it was recorded. Dunham Sound Studios is the all-analog recording studio Brenneck built four years ago in Brooklyn with Steinweiss which was funded by a royalty check they received after Jay-Z sampled the title track of Make The Road By Walking for his 2007 hit, "Roc Boys (And the Winner Is…)". Other artists that have performed/recorded at Dunham Sound and with Menahan Street Band include Mark Ronson, Rufus Wainwright, Cee-lo Green, Theophilus London and Diane Birch, among many others.

Media: Mi
Sleeve: M

19.95€*

*Taxes included, shipping price excluded

Sealed. Ship worldwide or Pick-up possible in Brussels.

A1

The Crossing

A2

Lights Out

A3

Keep Coming Back

A4

Three Faces

A5

Sleight Of Hand

B1

Everyday A Dream

B2

Seven Is The Wind

B3

Bullet For The Bagman

B4

Driftwood

B5

Ivory And Blue

B6

Ivory And Blue (Reprise)

Other items you may like:

https://pitchfork.com/reviews/albums/sault-nine/The nursery rhyme “London Bridge Is Falling Down” is secretly about the spirits of the dead. The centuries-old children’s tune doubles as a macabre tale of children being walled inside the London Bridge, or buried under its foundation, to ensure that the structure never crumbles. At least that’s the theory advanced by Alice Bertha Gomme, a noted British folklorist and scholar of children’s games. Like the fables of the Brothers Grimm, whose bloody tales were sanitized for bedtime retelling, many nursery rhymes have equally disturbing origins. On NINE, the elusive British group SAULT channel childhood rhymes—not just their repetitive, earwormy melodies but also their ominous undertones—into songs with a deceptively simple air that are laden with grief.NINE is SAULT’s third album in just a little over a year, and it builds on the penchant for mystery that they established with their first two albums, 5 and 7, both released in 2019 under a cloak of anonymity. The album will be available—whether as a stream, download, or CD/LP—for just 99 days. Where their first albums were rooted in neo-soul and funk, 2020’s Untitled (Black Is) and Untitled (Rise) borrowed liberally from Afrobeat and the blues. With NINE, they add new layers—of mystery but also flippant humor—to their sound.We laugh when things are funny but recently, particularly over the past year and a half, I began buckling over when things were neither humorous nor joyous. Laughter made more sense than sadness. It required more physical exertion, and helped me move when I wanted to hide in a crawl space. It’s that energy of laughing because everything is terrible that beats through the brief opener, “Haha,” an a cappella chant that resembles a playground rhyme set to syncopated handclaps. “How about/Ha ha ha ha/How about/Ha ha ha ha,” runs the refrain, leaving little inkling of its origin story. Are we laughing at a joke or a person? And “how about” what exactly? That man, that dog, them Yankees? The meaning is as cryptic as the band, but they do offer a hint: “How about the love.” Looking around the globe today, that four-letter word is as urgent as it is furtive, and while SAULT are private, the grief they sing of has been projected onto the world stage, stoking a sadness that could make you want to disappear. It’s the type of misery that elicits a desperate ha ha ha ha. How about the love, right?