Theo Parrish
DJ-Kicks Detroit Forward

Celebrating 15 years from the release of their debut album, Daptone's Royal Court from Staten Island delivers a truly epic collection of new material that finds the group further bridging the gap between the farfisa-fueled Ethio-Funk stylings of their early recordings, with the psychedelic, Sabbath-inspired hellfire of late.“In some ways, it’s reminiscent of our first two albums The Budos Band and Budos II,” says Tom Brenneck. “We branched off on Burnt Offering and V. Now, we’re still moving forward. You can play these songs on the dance-floor. We knew the horns had to stand out too. Thinking about hip-hop allowed us to put the bounce back into The Budos.” This is evident from needle drop to final rotation. Heavy drum breaks, reminiscent of the B-Boy approved grooves of their early output reign supreme, setting the stage for the pulsating, hallucinatory wall of organ, menacing horns, and rugged guitar riffs to permeate your soul - leaving the listener in a rhythmic wash of Budonian rapture.Long in the Tooth represents the culmination of a 15-year journey by a band that has consistently carved its own distinct path through the grooves of history.released October 9, 2020

“We already passed one millennium, in fact, we passed the apocalypse: we are living in End Time, all right, but in the last daze. It’s after the end of the world. Don’t you know that yet?” - considered Sun Ra a few decades ago. We are clearly living in a borrowed time. In a time plunged in darkness and ignorance when we need at least a little light and love… and that can come with the cosmic music of Sun Ra, which is deconstructed by EABS on their third album. In October 2019, after more than 33 years, the archive record from the first landing of Sun Ra Arkestra in Poland was released to the public. On this occasion, EABS has prepared a special concert related to this release. Moments later, during the lockdown, a deep reflection on the philosophy of the newcomer from Saturn influenced the recording session and the final shape of the album ‘Discipline of Sun Ra’. Then there were quite serious changes in the selection of songs and even more ambitious attempts at recreation jazz originals, pushing some compositions not only towards hip-hop (in the spirit of inspired by Gil Scott-Heron or David Axelrod), but also genres such as juke or house.The creative process of the album revolved around two Sun Ra’s ideas - deconstruction and discipline. “He sent members of the Arkestra out to research individual players in Henderson group in the... morecreditsreleased October 30, 2020